It’s a mystery why Horse isn’t more widely recognized. When you think of Scottish female vocalists, it’s difficult to think of anyone who could surpass her vocal talents, and when she’s tackling a cover version, she picks the most difficult songs to test her vocal range – and she always nails it.
It seems to be a permanent fixture on the Horse gig calendar for a “Wintersong” slot, which tends to be something special. This time it was held inside the Dirty Martini bar of Le Monde Hotel in Edinburgh. It proved a perfect venue. The intimate setting had small tables and chairs facing the stage while fairy lights created a magical atmosphere.
A stripped back gig, Horse was accompanied with only a piano played deftly by Michael Abubakar who occasionally added in some backing and harmonizing vocals.
The set list was a mix of Horse’s own impressive back catalogue, some old and some new. She also chose some excellent cover versions, including fans’ favourite, Bring Him Home from Les Miserables.
I have seen Horse perform on a variety of occasions in different settings. I’ve also seen her backed by the Scottish Chamber Orchestra which was truly spectacular, but standing at the other end of the spectrum, this pared back gig stood out. The smallness of the venue and sparseness meant her voice was truly forefront. Every little intonation and change in range was felt and heard. Some notes were held on to for so long that it seemed impossible had you not heard it with your own ears. Her cover version of the Dusty Springfield classic I Close My Eyes And Count To Ten was simply stunning and perfect for her.
Her cover of the Lady Antebellum song I Need You Now was also sublime and fitted the reflective mood of the set list.
Cover versions aside, she’s got plenty good songs of her own, some are over 20 years old and timeless. There was the seductiveness of Breathe Me and a pared back Careful.
A warm and engaging performer, Horse loves to chat, and in between songs there was plenty of easy banter. People relate to her honesty, sincerity and vulnerability. She’s experienced the sadness of losing her parents and she’s experienced the happiness of love and getting married. She wears her heart on her sleeve and people love her for it.
This was her final gig of 2013 and it was a fitting and reflective round up to a busy year.
Going into 2014, she’s already got a Spring tour lined up for February, she’s taking part in Celtic Connections in Glasgow on January 20th and she’s part of a women’s poetry reading night in Kirkcaldy on January 25th in celebration of Robert Burns’ night.
For more information see: Horse Website
For more information on Celtic Connections see : Celtic Connections 2014 Website