Tag Archives: Gig Reviews

Horse: Review of Careful, The National Museum of Scotland, Edinburgh, August 2016 and Winter Tour Preview

2016HORSE_AVZ

“Be yourself, and others will find you”
 This stage show, shown at this year’s Edinburgh Festival was the story of Horse’s life. Born Sheena McDonald (the Sh-he-na part she hated), in one of Scotland’s market towns.
And as a fellow Lanarkian, the feeling of the town felt very familiar, but while I might have experienced the usual teenage angst, Horse’s experiences growing up were very different.
First of all the name that she hated. She decided she was going to be called Horse, she identified with those lovely majestic animals, and she knew in her heart she was different from the other girls, as she struggled with her sexuality, feeling misplaced in the world.
The set was minimal but effective. Two chairs on stage – representing her home life – one for mum and one for dad – both empty. Her parents, Vicky and Dugald, both passed within six months of each other, leaving Horse bereft. The experience somehow cemented even more firmly her compassion and ability to connect and empathise with other people.
During her show we hear about the simple things, and the things you remember growing up. We hear tales of her mum and dad and how they would sit in their chairs, drink tea and eat Rich Tea biscuits.
We hear about the angst of growing up in a small town where Horse stood out, was subjected to bullying and the odd advice from a lady on a train who tells her of a doctor she could go to to “help” sort out her problems.
There’s lots of laughter too among the tears, as Horse talks of her two tone loons “as experimental as it gets in Lanark” and having to go to the school disco in her mum’s Paisley patterned shirt.
 But there’s an escape and a sanctuary which Horse finds in music. Oddly not realising at first the gift she was born with. But then success comes as she appears on The Tube, gets the record deal and is asked to perform at the Stonewall gig at the Albert Hall.
There are still dark periods though – the operation for vocal nodes and the agonising wait as she fears she won’t be able to sing again.
And then we somehow come full circle. Horse meets her soulmate Alanna. she returns to her birthplace to marry, and she attends the equal marriage vote at the Scottish Parliament on 4th February 2014. And we feel a lovely sense of love, acceptance and peace.
This was a heartfelt and soul-baring play, delivered bravely by Horse, beautifully written by Lynn Ferguson and expertly directed by Maggie Kinloch.
While I know Horse and the town she grew up in, what would the couple from California I got talking to in the queue make of her? They visit Edinburgh every year and stay for the duration of the Festival, packing in as much as they can. They knew nothing about Horse, stumbled upon the play and decided to give it a go.
I met them afterwards. They were enthusiastic and moved to tears. The lady was desperate to get her hands on a Horse CD and loved the song Careful – which Horse sang and referenced throughout the show. I caught Horse’s play on the first night, and if this was anything to go by, all those festival goers who stumble upon shows will have felt like they discovered a little Edinburgh Festival gem.
Horse is now back at the “day job” and getting ready for a tour in November and word is that she’s going to be touring Careful next year.
Meanwhile catch her at:
Dundee Rep 5th November

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Filed under Edinburgh, Edinburgh Festival, Edinburgh Fringe, Music, Previews, Scotland, Theatre reviews

Profile: Glasgow singer/songwriter: Horse

Horse - Singer

Horse – Picture Credit: Kris Kesiak

Glasgow-based singer Horse may not be occupying the charts but she commands respect and has gravitas. September 2015 saw her celebrating the 25th anniversary of her breakthrough album The Same Sky, which upon its release, gained critical acclaim, with standout songs such as The Speed Of The Beat Of My Heart, Breathe Me and Careful. The latter of which was covered by Will Young at VFestival in 2009.

Rightly recognised as someone with a vast musical knowledge, married with life experience, she’s now a wise Scottish stateswoman, who gets called upon to host radio shows, comment on the music industry, she gives master classes to help up-and-coming artists and is an ambassador for The Clutha Trust. She also continues to bring much emotion to many people who find solace in the words of her cathartic songs.

Reaching people is important to Horse and it’s also apparent she still loves to perform. She has a faithful following who want to hear her. And when you sound this good – who can blame them? Horse still boasts one of the most remarkable voices in Scottish music.

I saw her recently at her annual Wintersong in December at The Union in East Kilbride, a small intimate venue, decked out with fairy lights. She ran through her songbook and sounded impeccable, even though she struggled with a heavy cold, an affliction which often causes Horse distress due to her asthma. When she sings it’s a very physical act as she puts everything into her voice, so the strain this puts on her can be quite considerable.

She’s a great storyteller who loves to chat, and the night was peppered with funny and sad stories, as well as dedications to the audience and great songs. Careful never fails to move the crowd and renditions of God’s Home Movie and Sweet Thing also stand out, as well as the cover of Dusty Springfield’s I Close My Eyes And Count To Ten.

The video below shows Horse singing this cover version at a previous Wintersong gig in Edinburgh.

This year Horse has already got dates in her diary. You can find her hosting the Gaia Women’s Supper at the Beardmore Hotel and Conference Centre in Glasgow on Friday January 29th. It’s a take on the traditional Burns’ Supper, but for women, and it’s all for a good cause, with money being raised for the Stonewall Scotland charity. Included in the price is a three course supper and entertainment. It looks set to be a great night. You can buy individual tickets priced at £49 or buy a table of 10 places for £490.

Gaia Women's Burns Supper 2016

For information on Gaia Women’s Burns’ Supper – click here for website

Horse also appears in an exclusive cover feature and interview in this month’s Gaia magazine out now – January 2016.

Gaia Magazine Cover - Horse - January 2016

To read Gaia Magazine – click here to access Issuu.com

In March she’s touring the UK with a series of dates which will include Newcastle, Liverpool and Ladock in Cornwall.

And April will see Horse with a full band at Glasgow’s Fruitmarket on the 16th of the month.

For tickets for Fruitmarket gig – click here

 

 

 

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Filed under Charity, Fashion, Gig Reviews, Glasgow, Live Music Reviews, Music, Scotland

Janis Joplin: Full Tilt, Oran Mor, Glasgow – 17th September, 2015

Janis Joplin Full Tilt

You know something is good when you keep going back. I’ve seen the show Janis Joplin: Full Tilt, three times. Every time it’s been amazing, due to the stellar performance by Angie Darcy in the lead role. I can’t imagine anyone else depicting the singer’s triumphs and ultimately tragic end.

Janis’s story is told through a mixture of song and theatre bringing her character to life. We hear how she struggled to fit in in her native Texas where she was born in 1943. How she went to California to make music, where she partied hard, how she returned home but found the lure of music and the pull of California too strong and she returned in 1966. Peppered throughout the show are her famous hits including Piece of My Heart, which hit the number one spot, as well as the yearning Mercedes Benz and Kris Kristofferson’s gorgeous country ballad Me And Bobby Gee (a new and welcome addition for this updated version of the show).

Angie Darcy as Janis Joplin

Angie Darcy as Janis Joplin

Her larger than life character commands the stage where she is backed by an excellent supportive band. But for all the brash confidence, displays of flamboyance, and obvious talent, underneath is a vulnerable woman who harbours a need for love and acceptance.

We see her life sadly unravelling leading to her death, alone in a hotel room in 1970. She was 27.

The play is based on the singer’s own transcripts and as the lights go down, Angie Darcy remains silent, allowing a crackly recording of Janis’s voice to speak to us through the darkness.

The play was originally formed for Oran Mor’s A Play, A Pie and A Pint series, written by Peter Arnott and directed by Cora Bissett in association with Regular Music and supported by the National Theatre of Scotland.  It has since gone on tour to win many deserved awards and critical acclaim.

Janis Joplin

Janis Joplin

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Filed under Glasgow, Live Music Reviews, Music, Theatre reviews

Magners Live, From Scotland With Love, Kelvingrove Park, Glasgow – August 2015

Magners Summer Nights

In a disappointing summer, a surprisingly almost balmy evening  greeted the Magners Summer Nights sessions.  It was a perfect landscape for this sepia-tinged nostalgic evening. There was a viewing of the film From Scotland With Love with a musical backdrop performed live by King Creosote. The film is a cinematic patchwork quilt of old black and white film showing Scotland and its people throughout the decades. We see people at work and play. We are reminded of many of our now defunct industries, the lifeblood of which ran through the country’s veins. It was a time where work was hard, physical graft, but as people worked hard, they played hard too. Often they were saving all their time and money for those precious days away on Scotland’s packed coastlines. And it’s where we see the beauty pageants, the men and women dressed up smartly in their best clothes, queuing for ice creams, building sandcastles, swimming and frolicking on sandy shores.

From Scotland With Love Poster

From Scotland With Love Poster

The team behind the film includes director Virginia Heath, producer Grant Keir, editor Colin Monie, while Fife’s King Creosote (Kenny Anderson) composed a gorgeous soundtrack which gives a voice to the footage.

There’s songs like Pauper’s Dough which accompanies scenes of manual labour, protests and riots, and the words “You’ve got to rise above the gutter you are inside”.

One Night Only is a rollicking romp through people at play and although it’s all light-hearted fun, as with most King Creosote lyrics, there is a dark edge, and an air of added mystery as we search for the character in the line  “Wayne is appearing for one night only”. And he could be anyone lurking in the shadows, standing observing from afar or mingling among the crowds.

From Scotland With Love Album by King Creosote

From Scotland With Love Album by King Creosote

Director Virginia Heath was commissioned to create this documentary film to coincide with the 2014 Glasgow Commonwealth Games. It’s an excellent piece of work backed by a sensitive soundtrack. Both are available to buy and come highly recommended.

See links below for more information:

BBC Link – The Making of From Scotland with Love

BBC Link – A Century in Film – From Scotland With Love

From Scotland With Love Website

From Scotland With Love DVD

From Scotland With Love DVD

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Filed under Events, Film Reviews, Films, Gig Reviews, Glasgow, Live Music Reviews, Music